In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.

Cast: Delphine Seyrig, Jan Decorte, Henri Storck

Director: Chantal Akerman

Writer: Chantal Akerman

Length: 202 minutes
Not Rated

About Akerman

Chantal Akerman was born in 1950 in Brussels, and died in Paris in 2015. Akerman was a pioneer in feminist and experimental filmmaking. Born to Holocaust survivors from Poland, the generational trauma of this experience was a continuing theme in her work and in recent decades she explored her own Jewish identity. She made over 40 films during her life time, and is considerd to be one of the most important European directors of her generation.

Recent solo exhibitions have been shown at EyefilmMusem, Amsterdam, The Netherlands (2020); MOCA, Toronto, Canada (2019); Oi Futuro, Rio de Janeiro, Brazil (2018), a retrospective at La Cinemateque Francaise, Paris, France (2018); Institute of Contemporary Arts, London (2015); The Kitchen, New York (2013); Palais des Beaux-Arts, Brussels, Belgium (2013); Museum for Contemporary Art Antwerp, Belgium (2012); a film retrospective at the Vienna Film Festival, Austria (2011); the Contemporary Art Museum, St. Louis, Missouri (2009); List Visual Arts Center, M.I.T. Cambridge, Massachusetts (2008); Camden Arts Centre, London, England (2008); Tel Aviv Musem of Art, Tel Aviv, Israel (2006); Centre Georges Pompidou, Paris (2004); Walker Art Center, Minneapolis, Minnesota (1995).