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Kelvin Burzon and Jenny Delfuego: Process/Progress
March 4, 2022 @ 6:00 pm - March 25, 2022 @ 6:00 pm
Free
Multi-genre visual artists Kelvin Burzon and Jenny Delfuego are creating movement-based work to accompany their visual art as part of a partnership between Big Car Collaborative and Indy Movement Arts.
In the fall of 2020, Indy Movement Arts began experimenting with small, digital fellowships as a small contribution towards the arts economy and keeping artistic production viable. The Process/Progress residency is the latest iteration of this experiment, paying intermedia artists to reflect on their creative process and how they incorporate movement into their practice.
The residency was conceived as a digital one but given that Indy Movement Arts is rooted in movement and dance, a discipline that often involves some immediate interchange between artist and audience, the artists were commissioned in partnership between the two organizations to make a new work involving such an interchange.
About the artists:
Kelvin Burzon’s recent work addresses, but does not attempt to resolve, the tension between religion and homosexuality. He examines religion’s traditions, imagery, theatricality, and psychological vestige. By appropriating religious imagery and language, the work is recontextualized by the insertion of LGBTQ members and activists. Burzon’s work has been exhibited abroad and all over the country and is part of several permanent collections including the Kinsey Institute and The Center for Photography at Woodstock.
Kelvin Burzon’s recent work addresses, but does not attempt to resolve, the tension between religion and homosexuality. He examines religion’s traditions, imagery, theatricality, and psychological vestige. By appropriating religious imagery and language, the work is recontextualized by the insertion of LGBTQ members and activists. Burzon’s work has been exhibited abroad and all over the country and is part of several permanent collections including the Kinsey Institute and The Center for Photography at Woodstock.
Jenny Delfuego was born in Chicago to immigrant parents and has been exhibiting work under different monikers since the 90s. She examines ephemerality, light and shadow, and the edges of impermanence. The indications of our existence are often made and unmade in the time it takes to observe them. Her involvement with Indy Movement Arts has promoted experiments in communal conversation and collaboration. What marks, what indications do these conversations leave? Delfuego studied painting at Indiana University and her work is in private and corporate collections on five continents.
The exhibit is made possible by The Allen Whitehill Clowes Charitable Foundation, The Arts Council of Indianapolis, The City of Indianapolis and The Andy Warhol Foundation for the Visual Arts.
Performances will take place March 25th